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Title: Arturia.CMI.V.v1.2.0.1391.CE-V.R
Category: Learning
Size: 300.75 MB
Added: April 28, 2018, 10:46 am
The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music historyùthe sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that werenÆt possible back in the day.

In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself.

With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting æ80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. WeÆve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V.

The unique musical architecture of the CMI

The CMI V isnÆt just a digital instrument. ItÆs a complete digital workstation.

Our enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at onceùmixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. WeÆve even spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like youÆve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you goingùincluding the original library of sounds youÆll recognize from countless hit recordings.

The original digital sound design powerhouse

If you want to sculpt sounds in the digital domain, the CMI V brings you a complete artists toolbox.
There are a zillion ways to shape sounds with the CMI. Work with a sample from the included library, or load in one of your own. Set the start and end points for the sample and loop. Modify the resolution to juice some interesting side effects. Resynthesize the sample into the additive synth domain for a harmonic representation. Create custom envelopes to control how each harmonic behaves over time. Change the sine waves that make up those harmonics to more complex waveshapes. Add multiple custom modulations to just about any sonic parameters you can think of. Heck, turn those modified additive harmonics back into a sample and sculpt your sound more back in that domain.

The CMI V gives you limitless creative options and sonic variety that are completely unique to this legendary sound design workstation.

The sound heard around the world

Many cutting edge æ80s songs were fueled by the equally cutting edge sounds of the CMI. Now you can relive the glory days of MTV.

You know the sound of the CMI because it was everywhereùand still is. Consider the ear candy on Kate BushÆs ôRunning Up That Hillö. The rhythmic frenzy of Herbie HancockÆs ôRockitö. Peter GabrielÆs exotic ôSledgehammerö shakuhachi. The impossible horn line on YesÆ ôOwner of a Lonely Heartö. The breathy vocal-flute on Tears for FearsÆ ôShoutö and ôEverybody Wants to Rule the Worldö. Trevor HornÆs pulsing Page R bottom-end collage on ôRelaxö by Frankie Goes to Hollywood. Speaking of Hollywood, thereÆs Duran DuranÆs ôView to a Killö Bond theme. How about Jan HammerÆs pitch-processed drums on his weekly ôMiama Viceö TV scores? And MTV favs like ôClose (to the Edit)ö by Art of Noise and YelloÆs ôOh, Yeahö are poster children for all things CMI.


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